"Entertainment gives you a predictable pleasure;
Art leads to transformation;"
Don't just consume entertainment;
Expect (and demand) more.
The Second-Best Sermon The Great Karl Malden Ever Gave
"There you are. Sitting there, calm in your knowledge of health, secure in your well-being. Yet who could suffer the agonies of the damned tomorrow? Yes, even today. Or maybe the next hour, the next minute. And if we were to know which of you it was, what an awful sight it would be. A soul, doomed to the everlasting bottomless pit of a divine wrath! Yes, death comes unexpectedly!"
Tepid Buzz On This Week's BEAUTY AND THE BEAST Remake Has Me Disinterested And/Or Concerned, So Here Are A Couple Of Disney's Other Recent Remakes That Are Pretty Great
In My Latest Podcast, I Talk About An Animated Movie (And About Why I Don't Think Animation Should Be "Relegated" To Kids)
This Week's Podcast Asks Why Pappy Was So Mean To The Duke in THE SEARCHERS
In My Latest Podcast, I Use The Words "Homaged" and "Denouement" Really, Really Close Together
It's Time For My Annual "Disappointment/Frustration With The Academy" Session
Each year, as the seemingly-endless award season gets underway, I tell myself "THIS is the year Roger Deakins will win a little gold statue for Best Cinematography; this is finally the year." And then, each year, I am disappointed (sometimes bitterly so). This year, the suspense was short-lived. Deakins wasn't even nominated. So I'm keeping myself busy by watching this mash-up of the nominees.
Some Friends Asked Me To Talk About Movies For Their Podcast. You Won't Believe What Happened Next!
The Magic of BvS
John Williams Turns 85 Today, So Here Are Five Of The Maestro's Finest "Underappreciated" Cuts
Filmmaker IQ On "The Fundamental Elements Of Film Music"
There Are A Lot Of Great "Video Essays" About Movies Out There, But This One's Especially Fine
There's A Mystery Behind "The Maltese Falcon," And It's Not Just A Cinematic One.
It's Been Years Since I Saw John Wayne's Last Film, And I Haven't Felt Like Watching It Since. But Then, I Saw This.
When I saw the film some years back, I simply could not separate the fictional character from Wayne himself. Watching the legendary star so close to the end (and such a shadow of his former, iconic self) was hard for me; it felt like a dirge, not a film. And my sadness at watching Wayne "go out" was the only emotion I could remember in the years since, so I've been exceedingly disinclined to return to it any time soon/ever.
Someone Made A Complete Transcription Of Basil Poledouris' CONAN Score For Pipe Organ
Ennio Morricone's Been Making Movie Music For 60 Years. Just Let That Sink In For A Second.
I think the strengths and weaknesses of the "traditionally orchestrated" versions really underscore the fact that great artists often work as well (or better) with limitations as they do if they are unimpeded. (The Czech National Symphony Orchestra's version of "On Earth As It Is In Heaven," for example, lacks the vibrancy of The Mission's original. Somehow, the added layer of polish obscures the wonderful roughness and ethnicity of the film's soundtrack.)
Movie Music Breadcrumbs
"I am a musicologist, a doctor of music. Therefore I listened to, studied and analysed a lot of music. I also enjoy metaphors, the art of quoting and of cycles. The harmonic draft of the Willow score, and most particularly its spiritual side, came from such a cycle, from such mythology and music history that I was taught, and that I myself convey with my own emotions and compositions." -- James Horner
My Favorite Part of CAPTAIN AMERICA: CIVIL WAR? That's Easy. The End Credits.
The Latest "Susanka Wheelhouse" Video From The Nerdwriter
Anything saying that film titles are an important part of the creative process/setting the cinematic scene is exceedingly likely to grab my attention. And if it also says (essentially) that "Saul Bass Is King?" Even more than exceedingly likely. (My only criticism? Too short; not enough detail. Luckily, we'll always have ArtOfTheTitle.com.)
Here's The Wonderful (And Weird) Film Score I've Been Streaming For Most Of The Day
I have no idea what my final opinion of Anders Thomas Jensen's Men & Chicken will be. I have no idea if it's even possible to have an opinion on it, final or otherwise. It's about as weird (and uncomfortable) as anything I've ever seen; equal parts disgusting and inspirational, hopeful and horrifying. And the ending is either one of the most life-affirming or cynical things ever.
I do have an opinion (and probably a final one) on the film's score, though. It's fantastic.