Summa This, Summa That — Joseph Susanka

You Say "One Of The Most Visually Stunning And Emotionally Effective Animated Films Ever Made." I Say "Easy. PRINCE OF EGYPT."

You Say "One Of The Most Visually Stunning And Emotionally Effective Animated Films Ever Made." I Say "Easy. PRINCE OF EGYPT."

Turning to the animation itself, the opening is a spectacular on that score—especially in the way it compresses the openings of the story into a visually-engaging yet easily-digestible prologue. The Red Sea sequence is powerful stuff, as well (for which I must reiterate that Zimmer shoulders much of the blame), and the last plague remains one of the most creatively imaginative and stunning, deeply unsettling, and profoundly sorrowful things I've ever seen.

Today's Suggestion? A Legendary Anime Director's Greatest(?) Film

Today's Suggestion? A Legendary Anime Director's Greatest(?) Film

I don't think I appreciated the precision (and power) of Kon's manipulations the first time I saw this one...And I surely did not recognize just how emotionally resonant it was, or that its resonance (and relevance) would increase over the years. That's true of all his works, really, since the question(s) of how we live out our "multiplicity of lives" grow(s) keener as technology progresses(?)

This Time-Travel Movie Is Leaving Netflix In Late September, So You'd Better Watch It While You Still Can

This Time-Travel Movie Is Leaving Netflix In Late September, So You'd Better Watch It While You Still Can

It's not a great film, really. But it's a great film for a Friday night after a long work week; a twisty-twirly time-travel movie disguised as a flashy and (at least occasionally) clever thriller. (Or is it a flashy-yet-sometimes-clever thriller disguised as a twirling, twisting time-travel movie? I can't quite recall...)